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Cloverfield: What Went Wrong?
Flash forward to the second week of release. Movie pundits predicted that Cloverfield would once again dominate the box office and retain its number one position for one more week. Except something went wrong. In this second week, Cloverfield dropped nearly 70% in ticket sales earning just $13 million becoming the fourth most popular movie of the week. Cloverfield was beaten out by the likes of a 300 spoof film, Rambo (part IV) and a Katherine Heigl romantic comedy. Things got worse in the third week where Cloverfield earned just under $5 million at the box office being beaten out by the Hannah Montana movie. (The solution to giant monsters attacking cities? Tween girls.) I guess time did tell. What went wrong with Cloverfield? Cloverfield is one of the first movies I’m aware of to be marketed extensively online and through viral means. Though other movies had certainly used some limited viral marketing in the past, to learn almost anything of substance about Cloverfield, fans would have to uncover hidden Web sites, translate text from other languages and discern subtleties of a few photos released through the films official site. And judging by the huge first week Cloverfield had, it’s seems as if this hidden marketing worked. The “movie-geeks” who had been following this online campaign flocked to the film on initial release and Cloverfield earned millions.
Those who decide on what movie they’re going to see on a given weekend by reading the newspaper or via TV commercials had to have been more than a bit confused over exactly what Cloverfield was? Simply watching the TV commercials of people running and screaming in the streets, explosions and a lot of “shaky-cam” says nothing as to the plot of Cloverfield. In fact, I wouldn’t be surprised to learn that these trailers tied with the TV commercials and poster of the Statue of Liberty sans-head might leave some people to believe that Cloverfield was about terrorism in New York, since it’s never exactly spelled out in the marketing materials what’s going on. I also found it a bit odd of the lack of change and variety in the marketing of Cloverfield. Other than a few variations in the TV commercials and some text added to the movie poster, there wasn’t much difference between the first teaser marketing campaigns last summer meant to introduce the movie to the public to the final marketing effort this winter meant to sell the film to the public. And let’s not forget the title of the film. Once you’ve seen Cloverfield you learn this is the codename of the beast used by the government/military. Though I’m sure that the “movie-geeks” who had been following the online campaign for months loved the fact that the title of the film was a sort of inside joke by the creators of Cloverfield, this title doesn’t say anything about the movie to people who haven’t spent hours online researching it.
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